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TROJKA THEATER COMPANY

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Trojka (in English: Troika), "the set of three" is drawn by three horses just as the traditional Russian carriage.

 

Our set of three: - the adaption, - the unity of the gesture language and movement, - the emphasizing on musicality and image.

 

THE COMPANY Trojka seeks to establish a form of independent existence, which focuses to every single aspect of the creative process.

 

 

 

OUR METHOD

 

  • We choose literary texts that in the beggining are not obviously ment to be set on stage.
  • Following the process of adaptation a certain novel or short story is transformed using our personal interpretation of the given text.
  • The conclusion of our interpretation becomes the actual motion language.
  • The images are the scenes themselves by what the musical compositions are being generated.
  • Our productions can be characterized having minimalist visual concepts.
  • The production can easily be adapted to either given or improvised stages, may those be threatrical or non-theatrical spaces.

 

 

OUR PRODUCTIONS IN 2019

 

Silence Book (performance in one act) based on Silence Book by Vera Sipos Première: 11th May 2019, HPS KULT press release: http://izaszinhazbanjart.hu/2019-majus/item/422-silence-book-trojka

 


The Cherry Orchard (performance in two acts) based on The Cherry Orchard by Anton Chekhov Première: 09th March 2019, The Hungarian Theatre Museum and Institute press release: https://szinhaz.net/2019/09/19/gabnai-katalin-arnyekok-es-emberek/

 

 

Full videos of our plays:

 

One more time

 

Anna Karenina 

 

O.márkiné 

 

Orlando 

 

Dr. 

 

Saïd 

 

Cleansed

 

Lenz 

  

 

 

Members of Trojka are listed on the Hungarian site.

 

facebook.com/trojka.szinhazi.tarsulas

 

 

 

Curator's opinion


"Classical theater and acting are looking for its place and function so they find their venues in rooms, apartments, specific play areas or near business development sites.  Trojka Társulás combines formal innovations, it’s a unity of creator, performer and audience, movement, gesture, the lack of setting create in a frame of thought, where there is nothing to remove, therefore impacts are multiplied.


The stakes are enormous, any dialogue formed with the children of the future is key. Go Attila Soós and company!"

Candidates of curator

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